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MARK RUSIC'S BIOGRAPHY

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My journey began in Melbourne, my place of birth. By 1990, in my mid-20s—with an 
engineering degree and two years in the field, including time at BHP, under my belt—I 
embarked on a move to Indonesia. I knew I had to be ready for the uncomfortable. There, I 
adapted quickly, learned Indonesian and a local dialect, and spent five immersive years 
involved in business, trade exploration, and ministry, mingling with the poorest of the poor in 
obscurity to the upper echelon-elite—from sitting with Elders of Indigenous communities 
across the archipelago to Indonesian business, government, and community leaders. In those 
circles, I learned a powerful truth: that trust and influence are forged wherever you are, through 
identification, active listening and quality giving, shared purpose, kindness, and passing 
through the fires of testing—made possible with heavenly enlightenment. 

I returned to Australia—now Indonesia had become a comfort and delight. Though I had gone 
there to change it, I realized it had changed me: I married a lovely young Indonesian woman 
locally, whom I love deeply till this day, now with three children.  

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My commitment to human investment then spanned 28 years mainly across diverse Asia-Pacific

communities based in Australia from 1995. This career was defined by a 22-year tenure as a

full-time pastor, where my focus was intensive, hands-on mentorship and preaching with relevance.

I walked alongside people from all backgrounds—often guiding them through complex life

transitions and hurdles—to help them restore their identity, sense of worth and realize their

unique potential.


One day in 2013, a marvellous turning point arose: I stumbled across the path of some
Aboriginal leaders of national stature. A dream for my nation Australia was awakened—the seed
of reconciliation. Bonding was immediate and led me to start sitting with elders again, visiting
and speaking in Indigenous communities across the nation annually to this day. History was
repeating itself, but now with a sense of arrival. 

One attribute I admire is the ability to see beyond the mud and misconceptions to the intrinsic 
brilliance and capacity of every person and culture—to see the goldmine, not the dirt that 
surrounds. Today, government policy is facilitating unprecedented Indigenous economic 
development. It does far more than just create business opportunities, releasing a profound 
goldmine of ancient identity, voice, and cultural wisdom birthing unique modern-day 
contributions and partnerships. We are seeing this emerge through land management, food, 
medicine, the arts, and so much more.  

But reconciliation involves restoration, and it is two-way—requiring the building of meaningful 
bridges of understanding. Throughout my career, as a creative at heart, I have applied a 
restorative slant to my toolkit: from motivational speaking and mentoring to painting with Van 
Goghian style, photography, and poetry—later expanding into authorship and, more recently, 
songwriting and singing—as a tonic to capture and draw out potential while solidifying 
connection. My work translates decades of lived experience into a multi-dimensional 
advisory—from inspiring the next generation through diverse community and educational 
platforms to stewarding local arts in the CBD and developing immersive tours at Iconic 
Melbourne.  

And as I serve as Senior Advisor to Jaramer Legal—the first national Indigenous law firm, established 

as a JV to the globally renowned NRF—my primary mission remains to foster a reconciled, unified,

prosperous and mature Australia. I see our nation with a restored Achilles heel, as a tree branch unknotted

—allowing it to become an economic powerhouse in so many industries—becoming our greatest

asset—not just for Australia but for economic reforms for Indigenous people world-wide; we see a

small beginning in Asia-Pacific not to be despised: Now. Helping individuals and organizations

discover, define, and unleash their true colours. That’s the product of approximately 40 years of

perseverance and investment into fellow human beings.​​

mission madura.jpg

Madura Island, Indonesia 1991: This photo I took shows my uncomfortable beginning. As you can see, they loved and embraced their racing cows—but loving foreigners like me took time.

Mark live painting jiga jiga.jpg
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Mark painting Live at the Fist Nation Business Expo, Melbourne Exhibition Civic Centre. Opened by the Lord Mayor of Melbourne, this live session utilized Jiga Jiga Paint—Australia’s first Indigenous paint company—to create a signature Reconciliation themed artwork. As the Jiga Jiga Paint Ambassador, Mark led this demonstration to bridge and envision restoration on a national scale; hence the imposing presence of Uluru, and the "unknotting" branch revealing a restored, united and prosperous Australia-featuring the Wagtail, the Jiga Jiga Paint symbol of connection.​

ARTIST STATEMENT:​

 

I draw much inspiration from the symbolic storytelling in many NGV masterpieces based on biblical narratives, shaping my own art to convey messages of hope and reconciliation—especially in the context of First Nations Australians. I see myself as a John Green supporting a William Barak in the tradition of Coranderrk, and now, in an era of full equality, where the lid on self-determination is coming off more fully, and a unified Australia is emerging.

 

Like Van Gogh, I seek to engineer every aspect of my art—color, texture, and form—not just to create beautiful works, but as a deliberate means to provoke thought, spark meaningful dialogue, foster empathy, contribute to nation-changing reform. And as Van Gogh wrote: "To try to understand the real significance of what the great artists, the serious masters, tell us in their masterpieces, that leads to God; one man wrote or told it in a book; another, in a picture."

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​​This short video exemplifies Mark's ARTIST STATEMENT:  ​​​​​

                                           SLIDESHOW OVERVIEW

  • Mark’s books and artworks featured in national and cultural retail settings

  • Selected examples of Mark’s creative process, from concept to completion

  • Highlights from keynote talks and facilitated discussions

  • Sold artworks, with close-up detail images

  • Exhibition installations and curated displays

  • Ongoing connections and engagement with remote Australian communities

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